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Miraculously, the show has returned after 11 years to finally conclude the story of Jack and Aku, and just like how the series was capable of defying expectations and re-inventing the genre back in 2001, Genndy Tartakovsky’s return to the series does so once more in new, exciting ways. The show is eager to throw archetypal samurai aesthetics in with classical storytelling, vibrant, electric new worlds, and a dry, absurd sense of humor that helps tie together the extreme balancing act of elements. Sly tricks were present to get children on board, and once they were, they were welcomed to embrace the heady and ambitious storytelling that Samurai Jack celebrates on a weekly basis. Accordingly, the characters that Jack encounters every week brilliantly have broad, cartoonish voices or are a species of anthropomorphic dogs or a bunch of adorable monsters. This is a show that will feature extended homages to the films of Studio Ghibli or noir cinema, after all. On face value, a program like this should be far too deep for children and strives for references that soar above their heads.
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Samurai Jack is endlessly more interested in atmosphere, rhythm, music, and refining its unique voice, over the typical tenets of children’s animation. The action-packed Cartoon Network property played like the Lars Von Trier or Edgar Wright of cartoons on the network rather than something admittedly simpler like 2 Stupid Dogs or Cow and Chicken. This is a show that never runs out of ways to cram incredible visuals in your face and these new episodes are no exception.īack when Samurai Jack debuted in 2001, it was still a distinctly different cartoon. Tartakovsky has been up front about how this return is strictly a limited series meant to conclude Jack’s long-standing battle against Aku, but if this tiny dose is really all we’re getting, it’s nice to see that Tartakovsky is going for broke here and trying (and succeeding) to make all of this as awesome as possible as often as possible. This was always a series that was just a joy to look at and now it looks like Genndy Tartakovsky has grown even more confident filling up space and telling a story through movement. Several moments from the battle that kicks off this concluding season made me cheer out loud.
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Samurai Jack returns with its almost overwhelming animation style full of intricate, ornate fight sequences and an endless list of pastiches honoring its influences. Samurai Jack.”Īll it takes is watching the opening minutes of the premiere episode to see that even though it’s been 11 years (50 for Jack himself), there is no doubt that Jack is back. Aku’s grasp chokes the past, present, and future. “Fifty years have passed, but I do not age.